In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-admi...(展开全部)

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-admi...(展开全部)

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-admi...(展开全部)

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-admi...(展开全部)

☆★2006年度 第32回 木村伊兵衛写真賞　受賞★☆ ようこそ素晴らしきウメカヨの世界へ。 日本写真界に恐るべきオトナコドモ現る! どこにでも転がっていそうな、 しかし私達が見逃している日常の中のおかしな一瞬を、 梅佳代は逃さずかっさらう。その芸たるや天才的。 これら超ご近所写真は、いまやパリやロンドンなど、 世界各地に驚きと笑いをふりまき、 高く評価を得ているのだ。 ページをめくったら最後、誰もがつい吹き出し、 そして元気になってしまう写真。 この気楽さ、敷居の低さこそが彼女の武器であり、 写真界に吹き込む新しい風。 「くるり」岸田繁、大絶賛!!(帯コメント頂いています。)

☆★2006年度 第32回 木村伊兵衛写真賞　受賞★☆ ようこそ素晴らしきウメカヨの世界へ。 日本写真界に恐るべきオトナコドモ現る! どこにでも転がっていそうな、 しかし私達が見逃している日常の中のおかしな一瞬を、 梅佳代は逃さずかっさらう。その芸たるや天才的。 これら超ご近所写真は、いまやパリやロンドンなど、 世界各地に驚きと笑いをふりまき、 高く評価を得ているのだ。 ページをめくったら最後、誰もがつい吹き出し、 そして元気になってしまう写真。 この気楽さ、敷居の低さこそが彼女の武器であり、 写真界に吹き込む新しい風。 「くるり」岸田繁、大絶賛!!(帯コメント頂いています。)

Since the introduction of the personal computer in the early 1980s, many objects have been designed to have capabilities well beyond their immediate use or appearance. Whether openly and actively or in subtle, subliminal ways, these objects talk to us, and we have come to expect interaction with them. Contemporary designers, besides giving objects form and function, write their...(展开全部)

【作者简介】 蒂姆·奥莱利（Tim O'Reilly）是全球最著名的计算机图书出版商奥莱利传媒的创始人，也是硅谷最知名的趋势观察者之一。他推动了“开源软件”和“Web 2.0”这两个概念的广泛使用和传播，让IT界及商界受益无穷。 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ★“蒂姆·奥莱利能催生一个行业”——Google 前 CEO，Alphabet 公司执行董事长，埃里克·施密特； ★蒂姆·奥莱利是“业内权威”——麦肯锡全球研究院院长，詹姆斯·马尼卡博士； ★《Inc.》杂志称蒂姆·奥莱利是“硅谷先知”，“在过去30年里，他几乎预见了每一项重大的技术创新”； ★《eWeek》全球 IT 业最具影响力百人榜,蒂姆·奥莱利位列 17 位，...(展开全部)

【作者简介】 蒂姆·奥莱利（Tim O'Reilly）是全球最著名的计算机图书出版商奥莱利传媒的创始人，也是硅谷最知名的趋势观察者之一。他推动了“开源软件”和“Web 2.0”这两个概念的广泛使用和传播，让IT界及商界受益无穷。 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ★“蒂姆·奥莱利能催生一个行业”——Google 前 CEO，Alphabet 公司执行董事长，埃里克·施密特； ★蒂姆·奥莱利是“业内权威”——麦肯锡全球研究院院长，詹姆斯·马尼卡博士； ★《Inc.》杂志称蒂姆·奥莱利是“硅谷先知”，“在过去30年里，他几乎预见了每一项重大的技术创新”； ★《eWeek》全球 IT 业最具影响力百人榜,蒂姆·奥莱利位列 17 位，...(展开全部)